Hello out there to the
loyal fan(s)! Because I'm biologically addicted to textual analysis,
I'm going to be posting on Episodist again. My critical project will
largely be the same, trying to write about television in a way that's
more rigorous and detailed (as well as informed by various critical
methodologies from literary and film studies) than most TV writing on
the Internet. I'm also going to stay committed to the single-episode
format, maintaining the focus on the episode as the fundamental unit
of television (sorry, David Simon). I'll still be randomly selecting
from every kind of television-relating thing I watch, from anime to
sports, both minor and major episodes, as well as a handful of
"wildcard" episodes from shows that I don't regularly
watch. Random selection is a means of getting me to go off the
beaten path and devote critical attention to things that might not
get it.
The
main difference between the old Episodist and the new is schedule and
length. Adhering to a weekly schedule before lead to some rushed and
downright bad writing, and I often felt as though I couldn't really
explicate my arguments or get to everything I wanted to. I also have
to balance this with my various other writing projects, as well as
grad school and all the other drains on my time, such as occasionally
venturing into the outside world. Because of this Episodist will now
take the form of longer (probably around 5000 words, although it
depends on how much I have to say -- the first one will be
substantially shorter) essays on an occasional basis (probably about
once a month). Hopefully this format will allow me to take into
account all of the various tendencies and influences going on in any
episode of television, or at least all of them that I can understand.
I
have a couple entries already written, so you'll be seeing them
fairly shortly. The new Episodist begins soon
with an analysis of web sports documentary series The
Reem. The
first one, and we're breaking all the rules!
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